Instrukcja obsługi ART M-Four
Przeczytaj poniżej 📖 instrukcję obsługi w języku polskim dla ART M-Four (2 stron) w kategorii mikrofon. Ta instrukcja była pomocna dla 18 osób i została oceniona przez 9.5 użytkowników na średnio 3.6 gwiazdek
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The ART M-Four tube condenser microphone is perfect for recording
both critical vocals and instruments. The dual diaphragm multi-pattern
design delivers nine different polar pattern settings allowing the ideal
microphone sound for virtually every recording application.
The M-Four features dual 35mm gold sputtered diaphragms in a
shockmounted capsule. The 12AX7 vacuum tube pre-amp and
capsule is suspended in a solid machined casing to further reduce
tube induced noise.
The included external heavy-duty cradle mount suspension virtually
eliminates vibration and handling noise, while at the same time
safely securing the microphone in any position needed during the
recording process.
The Power Supply & Controls
The M-Four has nine available polar patterns, selectable from the
front panel of the power supply. Rather than limiting the user to only
the three most common patterns (omnidirectional, cardioid, and
figure-8 patterns), the M-Four has three gradient stages between
each of those positions. This allows the artist and recording engineer
far more versatility. In vocal applications where an omnidirectional
pattern isn't quite 'fat' enough, but cardioid is too narrow, you now
have three additional steps to find the right subtle mix between those
two standard patterns. With the M-Four you have the rare
opportunity to use the proximity effect of a cardioid, yet still open up
the microphone to hear some of the natural early reflections of a
good sounding live room.
Care of your M-Four
All large diaphragm condenser microphones are fragile. They do
not like to be exposed to any sharp impact that may stretch or
knock the element out of alignment including being dropped,
tapped, or being blown into. This is especially true of any tube
condenser microphone, including the M-Four.
It is always advisable to use a pop filter when recording vocals not
only to avoid sibilance (overly accentuated 'S', ‘P’ and ‘B’ sounds)
but also to keep excessive moisture off the element.
The outer shell of your mic can be cleaned with a soft damp cloth.
Do not use harsh detergents, solvents, or abrasive materials.
Never immerse any microphone in water .
Understanding Multiple Polar Patterns
An omni-directional pattern will give your mic the ability to pickup
sound from all directions. This is ideal for recording sounds that
emanate from multiple directions, or picking up the source material
as well as the natural ambiance and reverberation of a room.
Omnidirectional patterns also have no proximity effect, or ‘bottom
end enhancement’ as the source gets closer to the microphone.
This makes an omnidirectional pattern ideal for use recording
choirs, string sections, background vocals or acoustic instruments
where a natural ‘open’ tone quality is preferred.
The cardioid pattern is ideal for single instrument or solo vocal use.
This pattern picks up only sound directly in front of the microphone,
and sounds from back and sides of the microphone are rejected.
The cardioid pattern also has the most pronounced proximity
effect, and best off-axis rejection. Bi-directional or figure 8 will hear
sound from both front and back. This is ideal for recording a main
sound while still picking up room ambience from behind or duets
with two vocalists.
The M-Four has three gradient patterns between omnidirectional and
cardioid, and an additional three gradient patterns between cardioid
and figure-8 making for a total of nine available polar patterns. These
additional polar patterns allow a subtle combination of proximity
effect, off-axis rejection, overall EQ or tonal response.
As a tube condenser microphone, the M-Four requires its proprietary
power supply to operate. A subtle recessed LED under the gold
capsule behind the microphone windscreen will illuminate when
power is present at the microphone, and it is operational. The
microphone’s chassis is precision-tooled zinc/aluminum alloy with a
dent resistant stainless-steel wire-mesh windscreen. The included
heavy-duty cradle-mount suspension virtually eliminates vibration
and handling noise, while at the same time safely securing the
microphone in any position needed during the recording process.
The M-Four should always be stored in its protective microphone
‘coffin’ in the aluminum carrying case when not in use.
Other M-Four Features and Accessories
The Constant voltage power supply module - 9-position multi-pattern
selection control power supply module provides omnidirectional,
cardioid and figure-8 patterns with three gradient settings between
each position. Constant voltage ensures quiet operation.
Shockmount Cradle Adaptor - Stops noise from transferring through
the floor and microphone stand to the sensitive microphone capsule.
7-pin XLR shielded microphone cable - Provides clean signal from
microphone while transferring power to drive capsule and preamp
from power supply.
Description
M-Four Mult i-pat te rn St udi o
Tube Cond enser Microphone
Specifications:
Type: Multi-pattern Tube Condenser Microphone
Capsule: 35mm Gold Sputtered Dual Diaphragm
Polar Patterns: Omnidirectional, Cardioid, Figure-8 w/ 6 Gradient Stages
Controls (Microphone Body): -10dB Pad Switch, Low Frequency Roll-Off Switch
Controls (Power Supply): Polar Pattern Selector, Voltage Selector
Frequency Response: 20 -20,000Hz
Sensitivity: 12mv/Pa = 2dB (0dB=1v/Pa 1000Hz)
Impedance: <200 Ohm
Max SPL: 134dB for 0.5% THD
Equivalent Noise Level: 20dB (IEC268-4 A Weight)
Power Requirement: Dedicated Power Supply
Specifications subject to change without notice
Specyfikacje produktu
| Marka: | ART |
| Kategoria: | mikrofon |
| Model: | M-Four |
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