Instrukcja obsΕ‚ugi 4ms Tapographic Delay

4ms Niesklasyfikowane Tapographic Delay

Przeczytaj poniΕΌej πŸ“– instrukcjΔ™ obsΕ‚ugi w jΔ™zyku polskim dla 4ms Tapographic Delay (20 stron) w kategorii Niesklasyfikowane. Ta instrukcja byΕ‚a pomocna dla 6 osΓ³b i zostaΕ‚a oceniona przez 3.5 uΕΌytkownikΓ³w na Ε›rednio 5.0 gwiazdek

Strona 1/20
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Tapographic Delay
 
from 4ms Company and Matthias Puech
         
User Manual 1.0 – November 3, 2017           
for firmware v1.0   
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Table of Contentsξ™’
   
Introduction 3ξ™’
Background 4ξ™’
      What’s a multi-tap delay? 4ξ™’
    What’s a tapography? 6ξ™’
Installation 6ξ™’
          Getting started: Your first TD patch 7ξ™’
Create a new Tapography 7ξ™’ξ˜     
Editing your Tapography 8ξ™’ξ˜   
Saving your Work 8ξ™’ξ˜   
Explore the Knobs 8ξ™’ξ˜   
Explore the Switches 8ξ™’ξ˜   
Explore the Buttons 9ξ™’ξ˜   
Sequencer Mode 9ξ™’ξ˜ 
Controls 9ξ™’
Signal path 12
  ξ™’
Editing tapographies 13
  ξ™’
Entering Taps 13ξ™’ξ˜ 
ADD/OFF/INS Switch 13ξ™’ξ˜ 
RES/AMP/LPF Switch 14ξ™’ξ˜ 
Upper Button Row 14ξ™’ξ˜   
Settings Menu 14
  ξ™’
Navigating tapographies 16
  ξ™’
Loading a tapography 16ξ™’ξ˜   
Saving a tapography 16ξ™’ξ˜   
  Sequencer mode 17ξ™’
Advanced features 17
  ξ™’
Velocity normalization jumper 17ξ™’ξ˜   
  Firmware update 18ξ™’
Calibration 19ξ™’
  Factory tapographies 19ξ™’
Banks A - D 19ξ™’ξ˜     
          Reset a bank to factory default 21ξ™’
Acknowledgments 21ξ™’
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Introductionξ™’
The Tapographic Delay is a complex multi-tap delay in the Eurorack format with a uniqueξ™’ξ˜                            
interface designed for live performance. It excels at transforming the simplest audio (aξ™’ξ˜                       
drone, a percussive sound) into complex rhythmic structures, meshes of organic textures,ξ™’ξ˜                     
lush harmonic mille-feuilles, liquid and resonant effects… plus everything we have notξ™’ξ˜                     
explored yet!ξ™’ξ˜ 
Have you ever got tired of the monotonous repetitions that your standard delayξ™’ξ˜                       
pedal/module produced? Have you ever wished for a more complex rhythmic structure thanξ™’ξ˜                       
just decaying repetition? If yes, you have come to the right place: the Tapographic Delay isξ™’ξ˜                             
an advanced effect that lets you handle repetition in ax completely novel way. It is in a wayξ™’ξ˜                                 
to a traditional delay what a full rhythmic sequencer (with pattern recall, velocity control,ξ™’ξ˜                         
tactile input) is to a simple clock. With the TD, you interactively define the rhythm that theξ™’ξ˜                               
repetitions will follow: a velocity-sensitive sensor allows you to record, edit, modify, andξ™’ξ˜                       
sequence your own arrangements of delays. In a sense, the TD is the converse of theξ™’ξ˜                             
classic Frippertronics sound-on-sound setup popularized by Robert Fripp in the 70’s: youξ™’ξ˜                     
don't play the guitar, you play the tape loop!ξ™’ξ˜               
The Tapographic Delay is an expressive experimental instrument meant to be played inξ™’ξ˜                       
real-time, rather than a set-and-forget end-of-chain effect. Interact with it! Experiment! Pushξ™’ξ˜                     
it to its limits!ξ™’ξ˜     
●Velocity-sensitive force sensor to tap the delay configurations (                tapographies
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●Up to 32 taps, each with its own delay time, amplitude/filter and panningξ™’ξ˜                       
●Low-pass filter or resonant (pingable) band-pass filter on each tapξ™’ξ˜                 
●Morphing between delay configurations, with adjustable morph timeξ™’ξ˜             
●Two different feedback paths: a Repeat toggle and a Feedback knobξ™’ξ˜                   
●Save and recall up to 24 delay configurations (4 banks of 6 slots each)ξ™’ξ˜                         
●Tapography sequencer with forward, random walk or random directionsξ™’ξ˜               
●Synchronization to an external clock, with clock divider/multiplierξ™’ξ˜             
●Gate output that plays the current rhythm of delaysξ™’ξ˜               
●Maximum delay time of 174 seconds (almost 3 minutes)ξ™’ξ˜               
●16 bits/48kHz with 32 bits floating-point internal processing, 1.3ms software latencyξ™’ξ˜                   
●Mono-in, stereo-out operationξ™’ξ˜   
●18HP Eurorack moduleξ™’ξ˜   
●Current consumption: 125mA of +12V; 32mA of -12V. (10-to-16pin cable included)ξ™’ξ˜                   
●0.98" (25mm) maximum depth with power cableξ™’ξ˜           
●Dry frequency response: 20Hz - 5kHz: +/-0.1dB. @10kHz: -2.3dB. @20kHz: -7.8dBξ™’ξ˜                   
●Audio inputs max 22Vpp. Audio outputs soft-limit at max 17Vppξ™’ξ˜                 
●Trigger/clock inputs: +2V minimum, +12V maximumξ™’ξ˜         
●Gate (trigger) output: +8V, 4ms pulse widthξ™’ξ™’ξ˜           
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Specyfikacje produktu

Marka: 4ms
Kategoria: Niesklasyfikowane
Model: Tapographic Delay

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