Instrukcja obsługi Kodak Pro Image 100 Color Negative Film

Przeczytaj poniżej 📖 instrukcję obsługi w języku polskim dla Kodak Pro Image 100 Color Negative Film (4 stron) w kategorii nieskategoryzowany. Ta instrukcja była pomocna dla 18 osób i została oceniona przez 8 użytkowników na średnio 4.3 gwiazdek

©Eastman Kodak Company, 1997

TECHNICAL DATA / COLOR NEGATIVE FILMJuly 1997 • E-4L

A-009 Month 19 96

KODAK PROFESSIONAL

PRO IMAGE 100 Color Negative Film

DESCRIPTION

KODAK PROFESSIONAL PRO IMAGE 100 Color

Negative Film is a medium speed (EI 100) film that features

high color saturation, accurate color and pleasing skin-tone

reproduction, and good underexposure latitude. It is intended

for portrait and social applications, and can be stored at room

temperature—even in hot, humid climates. Its printing

characteristics are similar to those of KODAK GOLD Films

to help simplify printing for photofinishers.

DARKROOM RECOMMENDATIONS

Do not use a safelight. Handle unprocessed film in total

darkness.

STORAGE AND HANDLING

Load and unload your camera in subdued light.

Store unexposed film at room temperature. For best

results, store film at 21°C (70°F) or lower, and process film

as soon as possible after exposure.

Protect negatives from strong light, and store them in a

cool, dry place. For more information about storing

negatives, see KODAK Publication No. E-30,Storage and

Care of KODAK Photographic Materials—Before and After

Processing.

FEATURES BENEFITS

•Outstanding flesh-tone

reproduction, color

accuracy, and saturation

•The film of choice for

portrait and social

photographers

•Intended for room-

temperature storage•No need for refrigerated

storage

•Excellent latent-image-

keeping characteristics•Excellent consistency

•Excellent processing

robustness

•Printing characteristics

similar to those of

KODAK GOLD Films

•Can be printed on the same

channel as the family of

KODAK GOLD Films

EXPOSURE

Exposure Compensation

Use the filter recommendations and exposure adjustments in

the table below under uniform lighting.

Daylight

Use the exposures in the table below for average frontlit

subjects from two hours after sunrise to two hours before

sunset.

Light Source

KODAK

WRATTEN

Gelatin Filter*

*For best results without special printing.

Exposure

Adjustment

Daylight or Electronic FlashNoneNone

Photolamp (3400 K)No. 80B+12⁄3 stops

Tungsten (3200 K)No. 80A+2 stops

Lighting ConditionsShutter Speed

(second)

Lens

Opening

Bright or Hazy Sun on

Light Sand or Snow1/125 f/16

Bright or Hazy Sun

(Distinct Shadows)1/125 f/11*

*Use f/5.6 for backlit close-up subjects.

Weak, Hazy Sun

(Soft Shadows)1/125 f/8

Cloudy Bright

(No Shadows)1/125 f/5.6

Heavy Overcast or Open

Shade†

†Subject shaded from the sun, but lighted by a large area of clear sky.

1/125 f/4

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